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WITHNAIL & I Est. 1998 — Cecil Court, London
A Georgian mahogany writing slope, photographed in natural daylight for the issue's featured plate.
Plate No. 251 — Featured for Vol. XXVII, No. 4 Hand-checked by our furniture desk before acceptance.

The Curators’ Club for Collectors, Dealers & Curious Minds

A private network for vetted
18th–20th century decorative arts.

Founded in 1998 by a former Christie’s cataloguer and a BBC Antiques Roadshow consultant. Twenty-seven years on, we are still at the same London address — and still turning down roughly six out of every ten pieces offered to us.

£180 per year · 4,820 members in 41 countries · 71% renew each year


Plates No. 247 – 252 · Recent Acquisitions

Before they reach the open market — a sample of what passed the desk this fortnight.

From 31,500 items offered in 2024, our 14 specialists accepted 38% under our 47-point provenance and condition review. The four plates below are typical of the standard.

View the full Current Inventory →

Editor’s Note · Margaret Holroyd, Co-Founder

What twenty-seven years of vetting actually looks like in practice.

If you have ever stood in a marquee at a country-house fair and wondered why the good things never seem to make it to the public stalls, this is, broadly, why. Most of what we accept does not survive the journey. A carved mahogany side table arrives from a probate solicitor in Frome with one leg rebuilt in the wrong wood. A set of six Hepplewhite chairs proves to be three genuine, three copies — almost the right thing, almost never the right price. A “George I walnut” secretaire turns out, on close inspection, to be its own badly-considered 1903 wedding present.

We turn down about six out of every ten pieces offered. We do not enjoy this, and our specialists do not get any pleasure from being suspicious. But a club is only as good as what it admits, and members join us because they have somewhere else to look and would rather not.

After twenty-seven years the list of people we will not buy from is, depressingly, longer than the list of those we will. The two together amount to about 12,000 pieces a year that get past the front gate — those are the ones that arrive at Cecil Court, are catalogued, photographed, condition-checked, condition-reported (in plain English, never in trade jargon), and offered, in strict rotation, to members before they go anywhere near an open listing.

If that sounds like the kind of dealing you would rather do, the door is open. The membership form takes about four minutes.

— M.H., November 2025

The Audited Record

The numbers behind the vetting.

No superlatives — the figures below are the result of continuous trade from 1998 to the most recent annual review.

27
Years of unbroken trading Founded 1998, Cecil Court — same address, same partners.
14
In-house specialists Furniture, ceramics, silver, tribal, militaria, 20th-c. design.
38%
Acceptance rate, 2024 Of 31,500 items offered; 12,000+ passed the 47-point review.
4,820
Members in 41 countries Including curators at the V&A, the Met, and the Rijksmuseum.

Average member tenure 6.4 years · 71% renew year-on-year · 94% would recommend to a fellow collector (2024 survey).

Membership

What £180 a year actually buys.

The Curators’ Club is our private membership for collectors, dealers, and interior designers who would rather be told “no, it isn’t right” than buy a problem. The fee pays for the vetting process, the indexing, and the building.

  • i.

    First refusal on vetted stock

    Members see new pieces before they are listed in the Journal or to the wider market — roughly 48 hours of exclusivity on every plate that passes the desk.

  • ii.

    The Holroyd–Pryce Annual Index

    The printed index of British decorative arts we have published since 2005 — cited by Bonhams and Dreweatts, and posted to members each January.

  • iii.

    A key to 4,200 sq ft of Cecil Court

    Unaccompanied viewing during opening hours, six days a week. Tea, a loupe, and time. Private appointments outside hours are free of charge.

  • iv.

    Direct line to the specialists

    Members may write, telephone, or call in to the relevant desk. We do not run a switchboard; the people who vetted the piece are the people who take the call.

Membership is open to collectors, dealers, designers, and the genuinely curious. We do not ask for trade references — only for an honest account of what you collect and why.

From the Journal

Recent essays, auction notes, and provenance case files.

The Withnail & I Journal has covered decorative arts since 1998. We have won Trade Publication of the Year in 2018, 2021, and 2023; we have appeared forty-seven times on BBC Radio 4’s Loose Ends; and we still commission everything in long form.

A Georgian silver tea urn, photographed in situ for the journal essay.

Essay · 14 min read · Margaret Holroyd

The case of the Sheffield-plated tea urn: how a ‘George II’ turned out to be 1923.

A routine probate consignment from a Hampshire solicitor turned into a six-month provenance investigation. The piece is still in our custody; the lessons, we hope, are useful.

Read the essay →
A pair of late nineteenth-century porcelain figurines in the office.

Auction Notes · 6 min

Bonhams’ October decorative arts: the three lots we were watching, and the one that got away.

Read →
A 1930s Bakelite radio, photographed for the case file on 20th-century design.

Provenance File · 9 min

One hundred years of plastics: the Ekco AD-65 and why twentieth-century design deserves the same desk as the eighteenth.

Read →

All Journal entries →  ·  Become a member